The Americanization of Emily
Brief Synopsis
Cast & Crew
Arthur Hiller
James Garner
Julie Andrews
Melvyn Douglas
James Coburn
Joyce Grenfell
Film Details
Technical Specs
Synopsis
In wartime London just before D-Day, Lieut. Comdr. Charlie Madison, an aide to eccentric Rear Admiral Jessup, specializes in supplying the top Navy officers with luxuries such as party girls. Madison is an exponent of cowardice as a virtue because he believes reverence of heroism promotes war. He falls in love with Emily Barham, his British motorpool driver, a young woman who has lost her husband and brother in the war. Admiral Jessup is obsessed with the idea that the Army has a better image than the Navy and is determined that the first dead man on Omaha Beach on D-Day be a sailor. Jessup orders Madison to photograph the D-Day landing, and, despite his protests which alienate Emily, Madison is forced at gunpoint to be the first man to land on Omaha Beach. Running from the bombs, Madison trips a land mine and is reported to be the first man killed in the invasion. Photographs of his supposedly dead body appear in the newspapers, and he becomes a hero, but later he is found alive. Admiral Jessup then organizes a hero's welcome for Madison, but he threatens to confess the true story of his cowardice to the press. Emily, in a reversal of sentiment, promises to marry him if he will keep his secret, and Madison agrees to remain quiet.
Director
Arthur Hiller
Cast
James Garner
Julie Andrews
Melvyn Douglas
James Coburn
Joyce Grenfell
Edward Binns
Liz Fraser
Keenan Wynn
William Windom
John Crawford
Douglas Henderson
Edmon Ryan
Steve Franken
Paul Newlan
Gary Cockrell
Alan Sues
Bill Fraser
Lou Byrne
Alan Howard
Linda Marlowe
Janine Gray
Judy Carne
Kathy Kersh
Sharon Tate
Jack Raine
Crew
Robert Armbruster
Robert R. Benton
John Calley
Christopher Challis
Paddy Chayefsky
George W. Davis
Henry Grace
Sydney Guilaroff
J. Mcmillan Johnson
Philip Lathrop
Johnny Mandel
Johnny Mandel
Tom Mcadoo
Johnny Mercer
Franklin Milton
Hans Peters
Martin Ransohoff
Martin Ransohoff
Elliot Scott
Al Shenberg
Bill Thomas
William Tuttle
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Film Details
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Award Nominations
Best Art Direction
Best Cinematography
Articles
The Americanization of Emily
In this black comedy scripted by Paddy Chayefsky (Marty (1955), Network, 1976) Charlie is just as cynical when it comes to women, greeting female soldiers with a friendly pat on the rump until his palm meets the wrong woman, Emily Barham (Julie Andrews).
Released between the blockbuster films Mary Poppins (1964) and The Sound of Music (1965), The Americanization of Emily (1964) proved that Andrews's talents were hardly limited to her singing voice and that her charms were just as engaging in a modest comedy as in a lavish musical.
A proper, repressed war widow who refuses to take part in the atmosphere of frivolity that infects her countrywomen in uniform, Emily nonetheless falls for the cavalier Charlie, whose cowardice turns out to be his best selling point for a woman who has lost a husband, father and brother in the war. "It is your most important asset, being a coward," she tells him, "Every man I ever loved was a hero and all he got was death,"
But Charlie's taste for absurdity is trumped when he and his love 'em and leave 'em roommate "Bus" Cummings (James Coburn) are given a sobering assignment: to film the landing on Omaha Beach and record the first death of a Navy man. Suddenly two men enjoying the high life far from the front lines are forced to confront the ridiculousness of war firsthand, risking their lives to valorize the certain death of another, all in the name of public relations and patriotism.
A cynical soldier who sees the war as an opportunity for profit rather than for noble self-sacrifice, Charlie is the precursor to all the irreverent, pleasure-seeking soldiers of war films to come, such as MASH (1970), Catch-22 (1970) and Apocalypse Now (1979).
Controversial upon its original release, The Americanization of Emily was a vanguard anti-war film, poking fun at mindless patriotism years before such films were fashionable or popularly accepted. Yet the film proved a commercial success, and earned Academy Award nominations for Best Cinematography, Best Art Direction and Best Musical Score.
Director: Arthur Hiller
Producer: Martin Ransohoff
Screenplay: Paddy Chayefsky
Based on the novel by William Bradford Huie
Cinematography: Philip Lathrop
Production Design: George W. Davis, Hans Peters, Elliot Scott, Henry Grace, Robert R. Benton
Music: Johnny Mandel
Cast: James Garner (Lt. Comdr. Charles E. Madison), Julie Andrews (Emily Barham), Melvyn Douglas (Adm. William Jessep), James Coburn (Lt. Comdr. "Bus" Cummings), Joyce Grenfell (Mrs. Barham), Keenan Wynn (Sailor).
BW-115m. Letterboxed. Closed captioning.
by Felicia Feaster
The Americanization of Emily
Quotes
Trivia
Notes
Location scenes filmed in London. Reissued in 1967 as Emily.
Miscellaneous Notes
Voted One of the Year's Ten Best Films by the 1964 New York Times Film Critics.
Released in United States March 1979
Released in United States October 27, 1964
Released in United States Summer July 17, 1964
Broadcast over TNT (colorized version) October 26, 1988.
Re-released in 1967 under the title "Emily".
Released in United States March 1979 (Shown at FILMEX: Los Angeles International Film Exposition (FilmEssay: Misappreciated American Films) March 14-30, 1979.)
Released in United States Summer July 17, 1964
Released in United States October 27, 1964